The Unseen Masterpiece

• 
  Craig Murray-Orr

  Untitled IV, 2016

  Oil on board

  13.8 x 20.3 cm / 5 3/8 x 8 in
  47 x 53.3 cm / 18 1/2 x 21 in (framed)
• 
  Liliane Tomasko

  The Magician, 2019

  oil on linen

  121.9 x 106.7 cm
  48 x 42 in
• 
  Giorgio Morandi

  Natura Morta, pre 1959

  Oil on canvas

  35.5 x 40.6 cm canvas size
  52.7 x 57.1 cm framed
• 

  Antony Gormley Journey, 1980 dimensions variable

• 
  Iran do Espírito Santo

  Bulb 4, 2014

  Edition of 5 with 2 AP and HC. This is 5/5

  Stainless steel and aluminium

  17 x 17 x 23 cm
  6 3/4 x 6 3/4 x 9 1/8 in
• 
  Andrew Miller

  Maybelle, Carole Anne, Mary Beth , 2016

  Installation view at Yichuan Biennale
  found lampshades, LED lights

  545 x 150 x 150 cm
  214 5/8 x 59 1/8 x 59 1/8 in
• 
  Susan Collis

  Twice the Man, 2010

  platinum leaf on paper

  10 x 10 x 9 cm
• 
  Ryan Gander

  I can not yet even describe it to myself,, 2020

  a box of ‘A’ Level Art and Design exam papers for the year 2027
  devised and written by the artist, left near to the door of the exhibition space,
  free to take away by visitors.

• 
  Bob and Roberta Smith

  Art makes people powerful, 2015

  paint on found boards
• 
  Peter Liversidge

  Photograph Taken Whilst Walking (Ursus Rictus), 2009

  C-type photograph
  edition 4 of 5

  226 x 170 cm print size
  235 x 177.6 cm framed
• 
  Andrew Grassie

  The Framing of the Work: Darbyshire Frames. With works by Peter Liversidge., 2014

  Studio Proposal 1
  tempera on paper on board

  12.3 x 18.7cm (image size)
• 
  Richard Forster

  Notes on Architecture: Frau Schulze escapes (diptych), 2016

  pencil and acrylic on Bristol board

  29 × 20.5 cm (each)

• 
  Charles Avery

  Untitled (Elevation of a fort: era of the Pentagon), 2020

  pencil, acrylic, ink and watercolour on 1680 micron board

  127 x 168 x 6 cm
  50 x 66 1/8 x 2 3/8 in
  (framed)
• 
  Alexander Gorlizki Pinboard Installation, 2018 mixed media (pigment on paper) various (installation size 120 x 180cm)
• 
  David Austen, Little Ocean (pale), 2019
• 
  Alec Finlay

  A Variety of Cultures

  Native apple and plum trees, oak ladders
  dimensions variable

  Collection Jupiter Artland

• 
  Ceal Floyer

  Fallen Star, 2018

  35 mm slide projector, slide mask, mirror, telescopic AV stand
  

  dimensions variable
  Courtesy Lisson Gallery
• 
  Anna Barriball, Untitled (I), 2006
• 
  Marcel Broodthaers

  La Pluie (Projet pour un texte), 1969
• 
  Jonathan Owen

  Untitled, 2017

  19th century marble bust with further carving

  55 x 56 x 31.5 cm
  21 5/8 x 22 1/8 x 12 3/8 in

• 
  Cornelia Parker

  Cloudburst (Jerusalem), 2012

  Photograph, edition of 5

  50.7 x 35.5 cm
• 
  Thomas A. Clark

  Cloud Study, 2017

  Ed. of 100

  dimensions variable
• 
  Jonathan Monk

  The World in Safety Vests , 2019

  fabric collage

  144 x 244 cm
• 
  Mark Wallinger Ego, 2016 Digital prints ed. of 100 21 x 29.7cm each, 2 parts

• 
  Moyna Flannigan Tear 56, 2019 ink, gouache and collage on paper 114 x 92 x 4.8 cm 44 7/8 x 36 1/4 x 1 7/8 in (framed)
• 
  Francesca Woodman Untitled, Boulder, Colorado, 1978 Gelatin silver estate print Edition of 40. This is 6/40 9.8 x 9.8 cm image size 38.5 x 39.2 cm framed
• 
  Richard Serra

  Hand Catching Lead, 1968

  16mm black and white film, 3.30 mins
• 
  Smith / Stewart

  Enter Love and Enter Death, 2007

  Painted plywood beam (profile 10 x 16.5 cm)steel brackets

  Dimensions variable

• 
  Cerith Wyn Evans

  Column, (Assemblages i), 2010

  mixed media

  dimensions variable
• 
  Ian Hamilton Finlay

  Milestone: Man, A Passerby, 1989

  slate, with Keith Bailey

  48.4 x 38.2 x 7.4 cm

  Private collection
• 
  Susan Derges Spawn, 1998 gelatin silver photogram unique 166.9 x 60.6 cm
• 
  Thomas Joshua Cooper

  St. Baithéne, Evensong, Abbey St Bathans, Berwickshire, Scotland, 2019/2020

  Silver gelatine print hand printed and toned by the artist

  16 x 23 cm

• 
  James Hugonin

  Fluctuations in Elliptical Form (IV), 2017-19

  oil and wax on wood

  200.7 x 178.8 cm
  79 1/8 x 70 3/8 in
• 

  Agnes Martin Faraway Love, 1999 Collection of Tate, London Acrylic paint and graphite on canvas 152.5 × 152.5 × 3.5 cm
• 
  Callum Innes

  Resonance No. 1, 2019

  oil on canvas

  210 × 205 cm
• 
  Nikolai Suetin

  White Square (Suprematist Volume), c.1920

  oil and collage on wood

• 
  John Smith

  The Black Tower, 1985-7

  16mm film, 23 minutes
• 
  John Stezaker

  Tabula Rasa LV, 2020

  Collage
• 
  John Stezaker

  Tabula Rasa LVII, 2020

  Collage
• 
  John Stezaker

  Tabula Rasa LVI, 2020

  Collage

• 
  Ben Cauchi Untitled (13), 2017 burnished ambrotype, unique 60 x 49 cm 23 5/8 x 19 1/4 in
• 
  Garry Fabian Miller

  The atmosphere absorbs its own light, 2020

  Light, Water, Lambda c-type print from dye destruction print
  edition of 3 with 2 APs

  139.7 x 213.4 cm
  55 x 84 in (framed)
• 
  Anna Atkins

  (1799-1871)

  Achrostium simplex (Jamaica), 1852-1854

  Cyanotype photogram

  24.1 x 19.7 cm (print size)
  57.3 x 47.1 cm (framed)

   Private collection
• 
  Zanele Muholi

  Thulile II, Umlazi, Durban, 2016

  silver gelatin print
  edition 3 of 8

  50 x 41 cm
  19 3/4 x 16 1/8 in (paper)

• 
  Oana Stanciu

  !EU (!ME) 5, 2013

  giclée print
  edition 9 of 10
  

  84 x 56 cm
  33 1/8 x 22 1/8 in
• 
  Jonny Lyons

  Oxford, 2016

  Two Giclée prints on Hahnemühle 308gsm Photo Rag Acid-free Archival paper

  100 x 100 cm print size
  103.5 x 103.5 cm framed each part
• 
  Kevin Harman Kissing Jesus, 2020 Household paint, double-glazing unit, steel frame 201 x 201 x 6 cm 79 1/8 x 79 1/8 x 2 3/8 in
• 
  Kay Rosen

  Blurred, 2004

  wall painting

  dimensions variable

• 
  Winston Roeth

  Easy Lover, 2009

  tempera on 20 slate tiles
  

  50.8 x 30.5 cm/ 20 x 12 1/8 in (each)
  210.7 x 162.5 cm overall/ 83 x 64 in (overall)
• 
  Ugo Rondinone

  Everyone gets lighter

  Neon, acrylic glass, translucent foil, aluminium
  Ed. 1/2 + 1 AP

  414 x 950 x 15 cm (letters 80cm high)
• 
  Ian Davenport Ingleby Wall Painting (after Carpaccio), 2011 acrylic paint on wall 363 x 398 cm
• 
  David Batchelor Inter - Concreto (IC10), 2019 painted steel coat hangers, painted wood, plastic and concrete height c.130 cm height c.51 1/8 in

• 
  Margaret Mellis

  Pansy & Marigold on Red Envelope, 1999

  crayon on envelope

  35.5 x 25.5 cm
• 
  Alfred Wallis

  The Walk, c 1939-40

  yacht paint on oil on canvas

  45.4 x 30 cm
  51.7 x 36.3 cm framed
• 
  Frank Walter, Dark Green Tree
• 
  Peter Doig

  Figures at Night, 2017

  Image courtesy of the artist and Michael Werner Gallery

  oil on stretched paper

  73.5 x 61.5cm

• 
  Andrew Cranston

  Craigie's Return, 2019

  oil and varnish on hardback book cover

  22 x 14 cm
  8 5/8 x 5 1/2 in
  Private collection
• 
  Craigie Aitchison

  Crucifixion, 1979

  oil on canvas

  172.8 x 144.8 cm
  Collection of National Galleries Scotland, Edinburgh
• 
  Howard Hodgkin

  Hope, 1999-2000

  Private collection

  oil on wood

  107.6 x 126.7 cm
• 
  Rose Wylie

  Drab Ant Work - RW in evening dress, 2019

  oil on canvas ( six parts)

  182 x 149 cm (each part)
  Image courtesy the artist and David Zwirner

• 
  Louise Bourgeois

  merci. mercy., 1992

  drypoint, edition of 45

  53 x 76.4 cm (paper size)
• 
  Caroline Walker

  Study for Watering Sweet Peas, Mid Morning, May, 2019

  oil on paper

  72.5 x 60 x 3 cm
  28 1/2 x 23 5/8 x 1 1/8 in
  (framed)
• 
  Ruth Ewan

  ‘Mirrors for Princes (Mary Wollstonecraft, A Vindication of the Rights of Men)’, 2019

  paint and glue-chip mirrored glass

  120 x 80 cm
• 
  Anya Gallaccio

  like we’ve never met, 2003

  found mahogany, glazed doors

  two parts, 231.5 x 68.5 cm (each)

• 

  Jeff McMillan

  Untitled (Hercules-Yellow),

  2019-20

  oil on linen

  67 x 53 x 7 cm
• 
  Susan Hiller

  Hand Grenades, 1972

  (from paintings made in 1969)
  Ashes of paintings in 12 glass jars, rubber stoppers, labels, pyrex bowl
  Private collection
• 
  Katie Paterson

  Ideas - (A drawing made from the ashes of stars), 2019

  Micro-waterjet-cut Sterling Silver
  Edition of 3, this is 1/3

  11 x 27.1 x 0.3 cm
  4 3/8 x 10 5/8 x 1/8 in
• 

  Alexander & Susan Maris
  Extracts from THE TRUTH IN PAINTING [Sans +R], 1990-93 
  book-ash from an unread volume of Jacques Derrida’s The Truth in Painting in acrylic medium, and book-ash from a read volume of Jacques Derrida’s The Truth in Painting in acrylic medium on canvas
  30.5 x 66 x 2 cm overall (2 parts)

• 
  Roger Ackling

  Weybourne, 1996

  sunlight on wood

  51 x 24.5 x 3 cm
• 
  Richard Long

  Circle in Alaska, 1977

  Gelatin silver print

  Collection of National Galleries Scotland, Edinburgh and Tate, London.
• 

  Marine Hugonnier

  Towards Tomorrow (international dateline, Alaska) No. 2, 2001
  Lambda Print mounted on aluminium

  Edition of 3, this is AP2

  120 x 200 cm