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The Unseen Masterpiece

Past exhibition
13 April - 17 July 2020
  • Overview
  • Works
Open a larger version of the following image in a popup: Winston Roeth, Easy Lover, 2009
Open a larger version of the following image in a popup: Winston Roeth, Easy Lover, 2009
Open a larger version of the following image in a popup: Winston Roeth, Easy Lover, 2009

Winston Roeth

Easy Lover, 2009
tempera on 20 slate tiles
50.8 x 30.5 cm/ 20 x 12 1/8 in (each)
210.7 x 162.5 cm overall/ 83 x 64 in (overall)

Further images

  • (View a larger image of thumbnail 1 ) Marine Hugonnier, Towards Tomorrow (international dateline, Alaska) No. 2, 2001
  • (View a larger image of thumbnail 2 ) Marine Hugonnier, Towards Tomorrow (international dateline, Alaska) No. 2, 2001
  • (View a larger image of thumbnail 3 ) Marine Hugonnier, Towards Tomorrow (international dateline, Alaska) No. 2, 2001
The theme of rainbow-referencing colour continues in today’s contribution to the sequence, which turns from works in which it has been found and borrowed to the very deliberate decision-making of...
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The theme of rainbow-referencing colour continues in today’s contribution to the sequence, which turns from works in which it has been found and borrowed to the very deliberate decision-making of the American painter Winston Roeth. There’s nothing arbitrary or accidental in Winston’s meticulous process; each colour choice nudges a painting to slow completion, and in doing so reinforces his reputation as one of the great colour painters of the present time.

We were first introduced to Winston by our friend the painter Callum Innes and both artists took part in two exhibitions about colour in the first decade of the gallery’s life: a self-explanatory exploration of the monochrome ‘White’ in 2003 and its more jaunty cousin ‘Who’s Afraid of Red, Yellow & Blue’ in 2005. We have since held two solo shows of Winston’s work in 2006 and 2011.
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