Artworks

  • Ian Davenport, Study for Poured Lines: The Simpsons, 2008
    Ian Davenport
    Study for Poured Lines: The Simpsons, 2008
    water-based paints on aluminium
    120 x 80 cm
  • Ian Davenport, Study for Poured Painting Blue-Red-Blue, 1997
    Ian Davenport
    Study for Poured Painting Blue-Red-Blue, 1997
    household gloss paint on MDF
    30.5 x 30.5 cm
  • Ellsworth Kelly
    Sunflower I, 2004
    1 colour lithograph
    signed and numbered edition of 50, this copy edition 30 of 50
    94 x 73.7 cm
  • Ellen Siebers, The Charm, 2025
    Ellen Siebers
    The Charm, 2025
    oil on birch panel
    27 x 22.3 cm (frame)
    10 5/8 x 8 3/4 in
  • Harland Miller, The Me I Never Knew, 2009
    Harland Miller
    The Me I Never Knew, 2009
    oil on canvas
    236 x 158 cm
  • Jeremy Millar
    The Mirror of Ink (Sinister) 2, 2007
    photographic print, edition of 5
    17 x 13.5 cm image size
    50 x 40 cm framed
  • Jeremy Millar, The Mirror of Ink (Sinister) 3, 2007
    Jeremy Millar
    The Mirror of Ink (Sinister) 3, 2007
    photographic print, edition of 5
    17 x 13.5 cm image size
    50 x 40 cm framed
  • Jeremy Millar, The Mirror of Ink (Sinister) 4, 2007
    Jeremy Millar
    The Mirror of Ink (Sinister) 4, 2007
    photographic print, edition of 5
    17 x 13.5 cm image size
    50 x 40 cm framed
  • John McLean
    untitled, 1983
    watercolour
    13 x 18.3 cm
  • Jon Schueler, Untitled (Forms / Black), c. 1960-61
    Jon Schueler
    Untitled (Forms / Black), c. 1960-61
    brush and ink on cardboard
    [JS dr. 60-55]
    21 x 21.6 cm
  • Anna Barriball, Untitled (II), 2006
    Anna Barriball
    Untitled (II), 2006
    found slide, projector
    edition of 3 (1 of 3)
    variable
  • Jeremy Millar, Untitled (Mirror Cubes), 2010
    Jeremy Millar
    Untitled (Mirror Cubes), 2010
    Acrylic mirror, glass mirror tiles, wood, rock salt, unidentified objects
    four parts
    50 x 50 x 50 cm each part
  • Jeremy Millar
    Untitled (Obsidian), 2009
    obsidian
    9 x 14 x 11 cm
  • Ellsworth Kelly
    Untitled (Red), 2005
    1 colour lithograph
    signed and numbered edition of 50, this copy edition 3 of 50
    83.8 x 76.2 cm
  • Jon Schueler, Untitled (Walking Woman), 1951
    Jon Schueler
    Untitled (Walking Woman), 1951
    brush and ink on cardboard
    [JS dr. 51-27]
    21.6 x 21.6 cm page size
  • Cerith Wyn Evans
    Untitled (white rose), 2007
    neon, edition 2 of 3
    93 x 83 cm
  • Francesca Woodman, Untitled, Antella, Italy, 1977-1978
    Francesca Woodman
    Untitled, Antella, Italy, 1977-1978
    gelatin silver estate print
    edition 4 of 40
    25.4 x 20.3 cms (paper size)
  • Francesca Woodman, Untitled, New York, 1979-1980
    Francesca Woodman
    Untitled, New York, 1979-1980
    estate digital c-print
    edition 8/40
    8.8 x 8.5cm (image size)
    20.3 x 25.4 (paper size)
  • Francesca Woodman, Untitled, Providence, Rhode Island, 1976
    Francesca Woodman
    Untitled, Providence, Rhode Island, 1976
    gelatin silver estate print
    edition 2 of 40
    20.3 x 25.4 cm paper size
    14.7 x 14.7 cm image size
  • Francesca Woodman, Untitled, Rome, Italy, 1978
    Francesca Woodman
    Untitled, Rome, Italy, 1978
    Gelatin silver estate print
    Edition of 40. This is 1/40
    11.6 x 11.9 cm image size
    38.5 x 39.2 cm framed
  • Jessica Nina Mello
    URGENT, 2011
    unique screenprint
    21 x 29.7 cm paper size
  • Tommy Grace, Voldorper, 2009
    Tommy Grace
    Voldorper, 2009
    newsprint, UV glass, raw linen
    62 x 42.7 cm
  • Jessica Nina Mello
    Wave Patterns, 2011
    unique screenprint
    21 x 29.7 cm paper size
    24.3 x 32.5 cm framed
  • Susan Collis, We Have Pies in Our Skies, 2008
    Susan Collis
    We Have Pies in Our Skies, 2008
    18 carat yellow gold screw (hallmarked) with citrine (pair)
    AP 2 aside from the edition of 3

  • Ellsworth Kelly
    Wild Grape Leaves I, 2004
    1 colour lithograph
    signed and numbered edition of 45, this copy edition 30 of 45
    58.4 x 73.7 cm
  • Ellsworth Kelly, Wild Grape Leaves II, 2004
    Ellsworth Kelly
    Wild Grape Leaves II, 2004
    one color lithograph on Rives BFK
    edition of 60, this copy SP V
    published by Gemini G.E.L., Los Angeles
    58.4 x 78.7 cm paper size
    84 x 101 cm framed size
  • Ellsworth Kelly, Woodland Plant, 1979
    Ellsworth Kelly
    Woodland Plant, 1979
    transfer lithograph on 300-gram Arches Cover paper
    edition of 100, this copy AP
    published by Gemini G.E.L., Los Angeles
    80.3 x 120.7 cm paper size
  • Ellsworth Kelly
    Yellow, 2004
    1 colour lithograph
    signed and numbered edition of 50, this copy edition 27 of 50
    121.9 x 91.4 cm
  • Tommy Grace, Zzriliquat, 2010
    Tommy Grace
    Zzriliquat, 2010
    newsprint and wallpaper paste
    39.5 x 58 cm
  • Roger Ackling, Voewood, 2011
    Roger Ackling
    Voewood, 2011
    sunlight on wood
    52 x 7 x 2 cm
  • Thomas Joshua Cooper, -43ºf / -41.6ºc, The Polar Plateau - The South Pole, Antartica, 2007-08
    Thomas Joshua Cooper
    -43ºf / -41.6ºc, The Polar Plateau - The South Pole, Antartica, 2007-08
    silver gelatin print, hand toned and printed by the artist.
    This print is AP1 from an edition of 3.
    70 x 100 cm
    27 1/2 x 39 3/8 in (print)
    106.5 x 141.5 x 3.5 cm
    41 7/8 x 55 3/4 x 1 2/5 (framed)
  • Richard Forster, Alternative Architectures (after Michael Graves): Ostalgie Spee packet I, 2020-2023
    Richard Forster
    Alternative Architectures (after Michael Graves): Ostalgie Spee packet I, 2020-2023
    cast jesmonite and acrylic paint
    1 of 2 unique variants
    44 x 28 x 12 cm
    17 3/8 x 11 x 4 3/4 in
  • Harland Miller, ARMAGEDDON: IS IT TOO MUCH TO ASK?, 2017
    Harland Miller
    ARMAGEDDON: IS IT TOO MUCH TO ASK?, 2017
    Etching with block printing
    Edition of 50. This is 42 of 50
    180 x 119.5 cm (paper size)
    185 x 125 cm (framed)
  • Aubrey Levinthal, Beveled Bathroom Mirror, 2025
    Aubrey Levinthal
    Beveled Bathroom Mirror, 2025
    oil on panel
    52.9 x 42.7 cm (frame)
    20 7/8 x 16 3/4 in
  • Iran do Espírito Santo, Bulb 4, 2014
    Iran do Espírito Santo
    Bulb 4, 2014
    Stainless steel and aluminium
    Edition of 5. This is 5/5
    17 x 17 x 23 cm
    6 3/4 x 6 3/4 x 9 1/8 in
  • Winston Roeth, Cadmium, 2022
    Winston Roeth
    Cadmium, 2022
    polyurethane dispersion and cadmium pigments on slate
    157.5 x 162.6 cm
    62 x 64 in
  • Susan Derges, Cascade i, 2020
    Susan Derges
    Cascade i, 2020
    Fujicolour crystal archive print
    Edition 2 of 2
    170.6 x 66.5 x 4.5 cm
    67 1/8 x 26 1/8 x 1 3/4 in
    (framed)
  • Jonny Lyons, Comes and goes (A comma that changes everything) , 2022
    Jonny Lyons
    Comes and goes (A comma that changes everything) , 2022
    Giclée print on Hahnemühle 308gsm Photo Rag Acid-free Archival Paper
    Edition of 10. This is 1/10
    121.8 x 91.3 cm
    48 x 36 in (framed)
  • David Batchelor, Concreto-Concreto 13, 2024
    David Batchelor
    Concreto-Concreto 13, 2024
    concrete, spray paint
    62 x 10.5 x 6 cm
    24 3/8 x 4 1/8 x 2 3/8 in
  • Catherine Ross, Dwarf Pines, 2024
    Catherine Ross
    Dwarf Pines, 2024
    oil on wood
    30.1 x 37.7 cm (framed)
    11 7/8 x 14 7/8 in
  • Sean Scully, Fire, 2006
    Sean Scully
    Fire, 2006
    oil on linen
    160 x 160 cm
    63 x 63 in
  • Ian Hamilton Finlay, Five Finials, 1999
    Ian Hamilton Finlay
    Five Finials, 1999
    with Peter Coates
    Magnesian limestone and bronze in 5 parts
    dimensions variable
  • Mia Kokkoni, Flowers, 2025
    Mia Kokkoni
    Flowers, 2025
    oil on canvas mounted on board in artist's frame
    64.7 x 56.7 cm (frame)
    25 1/2 x 22 3/8 in
  • Caroline Walker, Frying, 2025
    Caroline Walker
    Frying, 2025
    oil on linen
    184.5 x 254.5 cm (frame)
    72 5/8 x 100 1/4 in
  • Garry Fabian Miller, Fused, Colour Fields, Pink becomes Gold, Gold becomes Pink, becomes…, 2022/23
    Garry Fabian Miller
    Fused, Colour Fields, Pink becomes Gold, Gold becomes Pink, becomes…, 2022/23
    Egyptian Cotton, Italian Superkid Mohair
    Edition 1/3 + 1AP.
    225 x 116 cm
    88 5/8 x 45 5/8 in
  • Joel Tomlin, Herbst Feuer, 2024
    Joel Tomlin
    Herbst Feuer, 2024
    wood, tempera, and beeswax
    29 x 21 x 22 cm
    11 3/8 x 8 1/4 x 8 5/8 in
  • James Hugonin, Illumine (Light Grey / Yellow), 2022-2024
    James Hugonin
    Illumine (Light Grey / Yellow), 2022-2024
    acrylic and oil on wood
    200.2 x 178.8 cm
    78 7/8 x 70 3/8 in
  • Andrew Miller, Julie Ann, 2023
    Andrew Miller
    Julie Ann, 2023
    Found lampshades, LED lights
    243.5 x 56 x 56 cm
    95 7/8 x 22 x 22 in
  • Johanna Unzueta, June Zwischi 2023, March Berlin 2024, 2024
    Johanna Unzueta
    June Zwischi 2023, March Berlin 2024, 2024
    paper tinted with pigment from wild berries, pastel pencil, oil stick, gold watercolour pencil, cut paper, and needlepoint
    41 x 41 cm (framed)
    16 1/8 x 16 1/8 in
  • Moyna Flannigan, Looking for Pluto, 2024
    Moyna Flannigan
    Looking for Pluto, 2024
    ink and gouache on Japanese paper
    61 x 388 cm
    24 x 152 3/4 in
  • Oana Stanciu, Molten, 2021
    Oana Stanciu
    Molten, 2021
    Giclée print
    Edition of 10, this is edition 2 of 10
    part of 'The Iron Pour' series
    85 x 57 cm
    33 1/2 x 22 1/2 in (framed)
  • Lotte Gertz, More layers of silt, 2022
    Lotte Gertz
    More layers of silt, 2022
    gouache, watercolour and relief print on Japanese Kozu paper
    140 x 100 cm
    55 1/8 x 39 3/8 in (unframed)
    147 x 107 cm
    57 7/8 x 42 1/8 in (framed)
  • Andrew Cranston, Mount Fuji (backdrop for a puppet show), 2024
    Andrew Cranston
    Mount Fuji (backdrop for a puppet show), 2024
    acrylic on canvas
    169 x 403.8 (frame)
    66 1/2 x 159 in
  • Nick Goss, Night Tram, 2025
    Nick Goss
    Night Tram, 2025
    distemper, oil, and silkscreen on linen
    163 x 183 cm (frame)
    64 1/8 x 72 in
  • Charles Avery, One True Temple of Three Two-headed Snakes OR The City and The City and The City, 2025
    Charles Avery
    One True Temple of Three Two-headed Snakes OR The City and The City and The City, 2025
    acrylic and gouache on linen
    248 x 248 cm (canvas)
    97 5/8 x 97 5/8 in
  • Marine Hugonnier, Pan Am USA / Housed in London, England - 12.03.2010, 2019
    Marine Hugonnier
    Pan Am USA / Housed in London, England - 12.03.2010, 2019
    Part of the community of 64 occurrences of appearance bound by a search on the internet in between November 27th and November 29th 2019
    Design: Chermayeff and Geismar, © 1971
    Photography: Magnum Photos
    C-type print
    175 x 116.6 cm / 68 7/8 x 45 7/8 in (artwork)
    184 x 124.6 x 7 cm / 72 1/2 x 49 1/8 x 2 3/4 in (framed)
  • Alison Watt, Parallel, 2018/19
    Alison Watt
    Parallel, 2018/19
    oil on canvas
    45.5 x 45.5 cm
    18 x 18 in
  • Brandon Logan, Ribcage, 2023
    Brandon Logan
    Ribcage, 2023
    Acrylic and string
    195 x 117 cm
    76 3/4 x 46 in
  • David Austen, Shakespeare is a Wound (I) & (II), 2023-2024
    David Austen
    Shakespeare is a Wound (I) & (II), 2023-2024
    gouache on paper
    47 x 34 cm (each frame)
    18 1/2 x 13 3/8 in
  • Kevin Harman, Skip 16, 2018
    Kevin Harman
    Skip 16, 2018
    restructured dumpster, found materials
    183 x 174 X 375 cm
  • Hayley Barker, Tiger Roses, 2025
    Hayley Barker
    Tiger Roses, 2025
    oil on linen
    111.9 x 81.1 cm (frame)
    44 x 31 7/8 in
  • John Joseph Mitchell, Two Tulips, 2025
    John Joseph Mitchell
    Two Tulips, 2025
    oil on panel in artist's frame
    20.3 x 31.6 cm (frame)
    8 x 12 1/2 in
  • Jonathan Owen, Untitled, 2023
    Jonathan Owen
    Untitled, 2023
    19th century marble bust with additional carving
    69 x 43 x 24.5 cm
    27 1/8 x 16 7/8 x 9 5/8 in
  • Ben Cauchi, Untitled (25), 2018
    Ben Cauchi
    Untitled (25), 2018
    burnished photogram
    36 x 28 cm/ 14 1/8 x 11 1/8 in (plate)
    56 x 47 cm/ 22 1/8 x 18 1/2 in (framed)
  • Frank Walter, Untitled (Green land, blue-green sky)
    Frank Walter
    Untitled (Green land, blue-green sky)
    oil on biocomposite material, backed with Masonite
    22.4 cm diameter
  • Callum Innes, Untitled Lamp Black / Alizarin Claret, 2023
    Callum Innes
    Untitled Lamp Black / Alizarin Claret, 2023
    oil on birch ply
    110 cm
    43 1/4 in
  • Craig Murray-Orr, Untitled XVIII, 2014-2015
    Craig Murray-Orr
    Untitled XVIII, 2014-2015
    oil on board
    19 x 25.5 cm (frame)
    7 1/2 x 10 in
  • Peter Liversidge, What is it that sets us apart, 2017
    Peter Liversidge
    What is it that sets us apart, 2017
    silkscreen print on spun polyester
    18 flags
    225 x 180 cm
    88 5/8 x 70 7/8 in
    (each flag)
  • Lorna Robertson, What is the wind doing, 2025
    Lorna Robertson
    What is the wind doing, 2025
    oil on paper mounted on canvas
    103 x 143 cm (frame)
    40 1/2 x 56 1/4 in
  • Kay Rosen, What Women Want, 2020
    Kay Rosen
    What Women Want, 2020
    enamel paint on canvas
    78.7 x 54 cm
    31 x 21 1/4 in
  • Rob Lyon, Widdershins, 2024
    Rob Lyon
    Widdershins, 2024
    oil on linen
    143.1 x 203.1 cm (framed)
    56 3/8 x 80 in
  • Katie Paterson, 〇 IX, 2024
    Katie Paterson
    〇 IX, 2024
    mixed media using pigment drawn from the Earth’s strata, from core to surface
    #3 of 6
    53.1 x 53.1 cm (frame)
    20 7/8 x 20 7/8 in
    series of 6 plus 2 artist proofs
  • Andrew Miller, (Installation shot) Maybelle, Carole Anne, Mary Beth, 2016
    Andrew Miller
    (Installation shot) Maybelle, Carole Anne, Mary Beth, 2016
    found lampshades, LED lights
    Dimensions vary
  • Alison Watt, 1708, 2016
    Alison Watt
    1708, 2016
    oil on canvas
    122 x 91.5 cm
    48 1/8 x 36 1/8 in
  • Charles Avery, 5/2a, 2b, c, d, e OR A World of Eight Things OR Alimentari, 2025
    Charles Avery
    5/2a, 2b, c, d, e OR A World of Eight Things OR Alimentari, 2025
    acrylic on linen
    210 x 130 cm (canvas)
    82 5/8 x 51 1/8 in
  • Richard Forster, Alternative Architectures (after Michael Graves): Ostalgie ‘Orienta’ radio, 2020-2023
    Richard Forster
    Alternative Architectures (after Michael Graves): Ostalgie ‘Orienta’ radio, 2020-2023
    cast Jesmonite & acrylic paint
    version one of two unique variants
    36 x 30 x 19 cm
    14 1/8 x 11 3/4 x 7 1/2 in
  • Winston Roeth, Beyond a Doubt, 2017
    Winston Roeth
    Beyond a Doubt, 2017
    Kremer pigments and polyurethane dispersion on 15 pure poplar wood panels.
    51 x 28 cm/ 20 1/8 x 11 1/8 in (each panel)
    158cm x 150cm/ 62 1/4 x 59 1/8 in (overall)
  • James Hugonin, Binary Rhythm (I), 2009-2011
    James Hugonin
    Binary Rhythm (I), 2009-2011
    oil and wax on wood
    189.5 x 169 cm
    74 5/8 x 66 1/2 in
  • Ian Hamilton Finlay, Capital, 1989
    Ian Hamilton Finlay
    Capital, 1989
    with John Sellman and Michael Harvey
    Lepine limestone in 4 parts
    100 x 100 x 100 cm
    39 3/8 x 39 3/8 x 39 3/8 in
  • Susan Derges, Cascade ii, 2020
    Susan Derges
    Cascade ii, 2020
    Fujicolour crystal archive print
    Edition 2 of 2
    170.6 x 66.5 x 4.5 cm
    67 1/8 x 26 1/8 x 1 3/4 in
    (framed)
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