Artworks

  • Andrew Cranston, Idea for a 7 inch single (Jesus and the Mary Chain live at Glasgow Necropolis), 2024
    Andrew Cranston
    Idea for a 7 inch single (Jesus and the Mary Chain live at Glasgow Necropolis), 2024
    ink on paper
    37.1 x 36.4 cm (frame)
    14 5/8 x 14 3/8 in
  • Catherine Ross, Kitchen Rug, 2020
    Catherine Ross
    Kitchen Rug, 2020
    gouache and ink on paper
    19.8 x 32 cm (frame)
    7 3/4 x 12 5/8 in
  • Kevin Harman, Knives in Bucket, 2007
    Kevin Harman
    Knives in Bucket, 2007
    metal, plastic, clay, wood
    84 x 60 x 55 cm
    33 1/8 x 23 5/8 x 21 5/8 in
  • Brandon Logan, Lately Sown, 2024
    Brandon Logan
    Lately Sown, 2024
    acrylic and string
    13 x 10 cm
    5 1/8 x 4 in
  • Richard Forster, Levittown October, 2015
    Richard Forster
    Levittown October, 2015
    Watercolour, graphite and acrylic medium on Fabriano Artistico paper
    nine parts
    24.9 x 33.4 x 3.8 cm framed size (each part)
    9 3/4 x 13 1/8 x 1 1/2 in framed size (each part)
  • Callum Innes, Lost Watercolour No. 17, 2025
    Callum Innes
    Lost Watercolour No. 17, 2025
    watercolour on Arches 640gsm HP
    76.5 x 57.5 cm (artwork)
    30 1/8 x 22 5/8 in
  • Ian Hamilton Finlay, Marine, 1968
    Ian Hamilton Finlay
    Marine, 1968
    screenprint, with Patrick Caulfield
    59 x 72.5 cm (framed)
    23 1/4 x 28 1/2 in
  • Caroline Walker, Mini Professors 4, 2023
    Caroline Walker
    Mini Professors 4, 2023
    ink on paper
    53.7 x 43.7 cm (framed)
    21 1/8 x 17 1/4 in
  • David Austen, Moon (black), 2022
    David Austen
    Moon (black), 2022
    oil on flax linen
    30.5 x 25.4 cm
    12 x 10 in
  • David Batchelor, Multi-Colour Chart 24, 2018
    David Batchelor
    Multi-Colour Chart 24, 2018
    gloss and spray paint on Dibond
    56 x 24.5 cm
    22 1/8 x 9 5/8 in
  • Peter Liversidge, Postal Shelf for Bonniers Konsthall, Sweden, 2018
    Peter Liversidge
    Postal Shelf for Bonniers Konsthall, Sweden, 2018
  • Moyna Flannigan, Quake (Rose Painting), 2020
    Moyna Flannigan
    Quake (Rose Painting), 2020
    distemper on canvas
    153.1 x 123.2 cm (frame)
    60 1/4 x 48 1/2 in
  • Charles Avery, Study for Figure 1a with Eyes, 2025
    Charles Avery
    Study for Figure 1a with Eyes, 2025
    acrylic and gouache on paper
    76.5 x 64 cm (frame)
    30 1/8 x 25 1/4 in
  • Ellen Siebers, The Charm, 2025
    Ellen Siebers
    The Charm, 2025
    oil on birch panel
    27 x 22.3 cm (frame)
    10 5/8 x 8 3/4 in
  • Joel Tomlin, Toads, 2023
    Joel Tomlin
    Toads, 2023
    Found wood, tempera and beeswax
    26 x 16 x 15 cm (left)
    10 1/4 x 6 1/4 x 5 7/8 in
    29 x 19 x 12 cm (right)
    11 3/8 x 7 1/2 x 4 3/4 in
  • Katie Paterson, Totality, 2016
    Katie Paterson
    Totality, 2016
    printed mirrorball, motor, and lights
    83 x 83 x 83 cm
    32 5/8 x 32 5/8 x 32 5/8 in
    edition of 3
  • Marine Hugonnier, Towards Tomorrow, 2001
    Marine Hugonnier
    Towards Tomorrow, 2001
    portfolio set of 9 Lambda prints
    edition 5 of 6 + 2AP
    41.6 x 54.1 cm
    16 3/8 x 21 1/4 in
  • John Joseph Mitchell, Untitled, 2023
    John Joseph Mitchell
    Untitled, 2023
    monotype with relief ink mounted on Rives BFK
    22.8 x 30.5 cm (framed)
    9 x 12 in
  • Frank Walter, Untitled (Abstract black tree trunk and branches)
    Frank Walter
    Untitled (Abstract black tree trunk and branches)
    oil on pressed fibre with masonite backing
    19.7 x 19.7 cm (frame)
    7 3/4 x 7 3/4 in
  • Andrew Miller, You, Me, Something else, 2012
    Andrew Miller
    You, Me, Something else, 2012
    found materials
    1520 x 1100 cm
    598 3/8 x 433 1/8 in
  • Ian Hamilton Finlay, A Rock Rose, 1971
    Ian Hamilton Finlay
    A Rock Rose, 1971
    silkscreen, with Richard Demarco
    edition of 500
    52.5 x 70.5 cm (framed)
    20 5/8 x 27 3/4 in
  • Lotte Gertz, Always some pieces would seem to belong to another plate altogether / and then there are the empty spaces, where you cannot fit anything in , 2018
    Lotte Gertz
    Always some pieces would seem to belong to another plate altogether / and then there are the empty spaces, where you cannot fit anything in , 2018
    acrylic, watercolour and woodcut print on Calico and linen
    150 x 120 cm
    59 x 47 1/4 in (unframed)
  • Catherine Ross, Blankets, 2021
    Catherine Ross
    Blankets, 2021
    watercolour and ink on paper
    18.8 x 24.9 cm (frame)
    7 3/8 x 9 3/4 in
  • Katie Paterson, Campo del Cielo, Field of the Sky (72,400g)
    Katie Paterson
    Campo del Cielo, Field of the Sky (72,400g)
    Found meteorite, cast melted and re-cast back into a new version of itself
    39.3 x 30 x 27 cm
    15 1/2 x 11 3/4 x 10 5/8 in
  • Lorna Robertson, Days and Nights in the Forest, 2025
    Lorna Robertson
    Days and Nights in the Forest, 2025
    watercolour and oil on paper
    21.2 x 16.5 cm (frame)
    8 3/8 x 6 1/2 in
  • Jonathan Owen, Eraser Drawing (Paper), 2018
    Jonathan Owen
    Eraser Drawing (Paper), 2018
    partially erased book page
    29.6 x 23.9 cm
    11 5/8 x 9 3/8 in
    (page)

    38 x 32.3 cm
    15 x 12 3/4 in
    (framed)
  • Craig Murray-Orr, Face 03, 1988
    Craig Murray-Orr
    Face 03, 1988
    Wood, paint
    34.9 x 25.8 cm
    13 3/4 x 10 1/8 in
  • Charlene Scott, fragment 019, 2025
    Charlene Scott
    fragment 019, 2025
    dye bath on embossed paper
    32.9 x 25.9 cm (frame)
    13 x 10 1/4 in
  • David Batchelor, Geo-Concreto 14, 2018
    David Batchelor
    Geo-Concreto 14, 2018
    tin lids, gloss paint and concrete
    53 x 11.5 x 5 cm
    20 7/8 x 4 1/2 x 2 in
  • Richard Forster, Levittown November, 2015
    Richard Forster
    Levittown November, 2015
    Watercolour, Graphite and acrylic on Bristol Board
    nine parts
    24.9 x 33.4 x 3.8 cm framed size (each part)
    9 3/4 x 13 1/8 x 1 1/2 in framed size (each part)
  • David Austen, Little Ocean (petrol blue), 2020
    David Austen
    Little Ocean (petrol blue), 2020
    oil on flax linen
    30.5 x 25.4 cm
    12 x 10 in
  • Callum Innes, Lost Watercolour No. 20, 2025
    Callum Innes
    Lost Watercolour No. 20, 2025
    watercolour on Arches 640gsm HP
    81.5 x 62.9 cm (frame)
    32 1/8 x 24 3/4 in
  • Caroline Walker, Mini Professors 5, 2023
    Caroline Walker
    Mini Professors 5, 2023
    ink on paper
    53.7 x 43.7 cm (framed)
    21 1/8 x 17 1/4 in
  • Andrew Miller, Other People’s Time, 2012
    Andrew Miller
    Other People’s Time, 2012
    aluminium foil tape
    1956 x 180 cm
    770 1/8 x 70 7/8 in
  • Peter Liversidge, Proposals for Bonniers Konsthall, Sweden, 2018
    Peter Liversidge
    Proposals for Bonniers Konsthall, Sweden, 2018
  • Moyna Flannigan, Reel Time Women (collage), 2021
    Moyna Flannigan
    Reel Time Women (collage), 2021
    paper, ink & gouache
    97.5 x 145.5 cm
    38 3/8 x 57 1/4 in
    (paper)

    113 x 161 cm
    44 1/2 x 63 3/8 in
    (framed)
  • Brandon Logan, Rowan Rush, 2024
    Brandon Logan
    Rowan Rush, 2024
    acrylic and string
    10.5 x 8.5 cm
    4 1/8 x 3 3/8 in
  • Garry Fabian Miller, Sections of England, The Sea Horizon, ex-edition, 1976-77, 2024
    Garry Fabian Miller
    Sections of England, The Sea Horizon, ex-edition, 1976-77, 2024
    lambda c-type print from dye destruction print
    edition 1 of 3
    86.2 x 86.2 cm (frame)
    34 x 34 in
    edition of 3 plus 2 artist proofs
  • Aubrey Levinthal, Self Portrait as Critic, 2025
    Aubrey Levinthal
    Self Portrait as Critic, 2025
    oil on panel
    52.9 x 42.9 cm (frame)
    20 7/8 x 16 7/8 in
  • Charles Avery, Study for 'Three Sisters', 2025
    Charles Avery
    Study for 'Three Sisters', 2025
    acrylic, gouache, and pencil on paper
    63.9 x 67.7 cm (frame)
    25 1/8 x 26 5/8 in
  • Hayley Barker, Summer Mood Board, 2023
    Hayley Barker
    Summer Mood Board, 2023
    oil on linen
    112.7 x 82 cm (framed)
    44 3/8 x 32 1/4 in
  • Andrew Cranston, The only living boy in old Hawick, 2024
    Andrew Cranston
    The only living boy in old Hawick, 2024
    ink on paper
    41.6 x 33.9 cm (frame)
    16 3/8 x 13 3/8 in
  • John Joseph Mitchell, Untitled, 2023
    John Joseph Mitchell
    Untitled, 2023
    monotype with relief ink mounted on Rives BFK
    28 x 20 cm (framed)
    11 x 7 ⅞ in
  • Frank Walter, Untitled (Sea Grape)
    Frank Walter
    Untitled (Sea Grape)
    oil on pressed fibre with masonite backing
    25 x 25 cm (frame)
    9 7/8 x 9 7/8 in
  • Peter Liversidge, Always, 2015
    Peter Liversidge
    Always, 2015
    Powder coated aluminium, 447 low energy bulbs
    150 x 940 x 15 cm
  • Joel Tomlin, Boy Shouting, 2023
    Joel Tomlin
    Boy Shouting, 2023
    Found wood, tempera and beeswax
    59 x 30 x 50 cm
    23 1/4 x 11 3/4 x 19 3/4 in
  • Katie Paterson, Colour Field, 2016
    Katie Paterson
    Colour Field, 2016
    lambda c-print mounted on aluminium
    6 of 6
    110.6 x 260.6 cm (frame)
    43 1/2 x 102 5/8 in
    Edition of 6 plus 2 artist proofs
  • David Batchelor, Concreto 5.0/01, 2022
    David Batchelor
    Concreto 5.0/01, 2022
    concrete and coloured glass
    31 x 50.5 x 6 cm
    12 1/4 x 19 7/8 x 2 3/8 in
  • Jonathan Owen, Eraser Drawing (Lot), 2018
    Jonathan Owen
    Eraser Drawing (Lot), 2018
    partially erased book page
    30.9 x 23.9 cm
    12 1/8 x 9 3/8 in
    (page)

    39.2 x 32.2 cm
    15 3/8 x 12 5/8 in
    (framed)
  • Catherine Ross, Eve, 2021
    Catherine Ross
    Eve, 2021
    oil and ink on paper
    22.1 x 17.6 cm (frame)
    8 3/4 x 6 7/8 in
  • Craig Murray-Orr, Face 08, 1984-2022
    Craig Murray-Orr
    Face 08, 1984-2022
    wood and paint
    35.3 x 34.1 cm
    13 7/8 x 13 3/8 in
  • Charlene Scott, fragment 020, 2025
    Charlene Scott
    fragment 020, 2025
    dye bath on embossed paper
    32.9 x 25.9 cm (frame)
    13 x 10 1/4 in
  • David Austen, Head, 2015
    David Austen
    Head, 2015
    oil on flax linen
    30.5 x 25.4 cm
    12 x 10 in
  • Brandon Logan, Latterly Liked, 2024
    Brandon Logan
    Latterly Liked, 2024
    acrylic and string
    10 x 6.5 cm
    4 x 2 1/2 in
  • Lotte Gertz, Left in the ground and picked up again , 2017
    Lotte Gertz
    Left in the ground and picked up again , 2017
    acrylic and watercolour on Calico and linen
    150 x 120 cm
    59 x 47 1/4 in (unframed)
  • Richard Forster, Levittown September, 2015
    Richard Forster
    Levittown September, 2015
    Watercolour, graphite and acrylic medium on Fabriano Artistico paper
    nine parts
    24.9 x 33.4 x 3.8 cm framed size (each part)
    9 3/4 x 13 1/8 x 1 1/2 in framed size (each part)
  • Callum Innes, Lost Watercolour No. 21, 2025
    Callum Innes
    Lost Watercolour No. 21, 2025
    watercolour on Arches 640gsm HP
    76.5 x 57.5 cm (artwork)
    30 1/8 x 22 5/8 in
  • Caroline Walker, Mini Professors 6, 2023
    Caroline Walker
    Mini Professors 6, 2023
    ink on paper
    53.7 x 43.7 cm (framed)
    21 1/8 x 17 1/4 in
  • Mia Kokkoni, Pale Mountains, 2024
    Mia Kokkoni
    Pale Mountains, 2024
    oil on canvas mounted on board in artist's frame
    54.7 x 62.3 cm (frame)
    21 1/2 x 24 1/2 in
  • Moyna Flannigan, Past/Present (Flame Red Painting), 2021
    Moyna Flannigan
    Past/Present (Flame Red Painting), 2021
    distemper on canvas
    30 x 40 cm
    11 3/4 x 15 3/4 in
  • Andrew Miller, Plug & Feather, 2016
    Andrew Miller
    Plug & Feather, 2016
    found slate, glass, brass peg and timber
  • Garry Fabian Miller, Sections of England, The Sea Horizon, No. 40 1976-77, 2023
    Garry Fabian Miller
    Sections of England, The Sea Horizon, No. 40 1976-77, 2023
    lambda c-type print from dye destruction print
    edition 2 of 3
    86.2 x 86.2 cm (frame)
    34 x 34 in
    edition of 3 plus 2 artist proofs
  • Charles Avery, Study for Figure 1, Yellow Corona, 2025
    Charles Avery
    Study for Figure 1, Yellow Corona, 2025
    acrylic on paper
    58.7 x 44 cm (frame)
    23 1/8 x 17 3/8 in
  • Aubrey Levinthal, Table Edge with Glove, 2025
    Aubrey Levinthal
    Table Edge with Glove, 2025
    oil on panel
    48 x 37.7 cm (frame)
    18 7/8 x 14 7/8 in
  • Ian Hamilton Finlay, The Little Seamstress, 1970
    Ian Hamilton Finlay
    The Little Seamstress, 1970
    silkscreen
    with Richard Demarco
    63.5 x 74.5 cm (framed)
    25 x 29 3/8 in
  • John Joseph Mitchell, Untitled, 2023
    John Joseph Mitchell
    Untitled, 2023
    monotype with relief ink mounted on Rives BFK
    28 x 20 cm (framed)
    11 x 7 ⅞ in
  • Frank Walter, Untitled (Field with Cane and White Flowers)
    Frank Walter
    Untitled (Field with Cane and White Flowers)
    oil on asphalt roofing material with masonite backing
    23.5 x 23.5 cm (frame)
    9 1/4 x 9 1/4 in
  • Lorna Robertson, Vienna, 2023
    Lorna Robertson
    Vienna, 2023
    oil, watercolour and pencil on paper
    21.3 x 28.7 cm
    8 3/8 x 11 1/4 in (framed)
  • Charlene Scott, fragment 022, 2025
    Charlene Scott
    fragment 022, 2025
    dye bath on embossed paper
    32.9 x 25.9 cm (frame)
    13 x 10 1/4 in
  • Aubrey Levinthal, Geranium on Palette Table, 2025
    Aubrey Levinthal
    Geranium on Palette Table, 2025
    oil on panel
    37.5 x 37.5 cm (frame)
    14 3/4 x 14 3/4 in
  • Ian Hamilton Finlay, Homage to Mozart, 1970
    Ian Hamilton Finlay
    Homage to Mozart, 1970
    silkscreen
    with Ron Costley
    edition of 300
    45 x 57.5 cm (framed)
    17 3/4 x 22 5/8 in
  • Lotte Gertz, Horse as performer , 2017
    Lotte Gertz
    Horse as performer , 2017
    watercolour, acrylic and collage on Calico and Surinda White linen
    105 x 126 cm
    41 3/8 x 49 5/8 in (unframed)
  • Katie Paterson, IDEAS - (A wave machine hidden inside the sea), 2014
    Katie Paterson
    IDEAS - (A wave machine hidden inside the sea), 2014
    Micro-waterjet-cut Sterling Silver
    Edition of 3, this is 1/3
    10.8 x 20.5 x 0.3 cm
    4 1/4 x 8 1/8 x 1/8 in
  • Hayley Barker, Last Winter Rose, 2024
    Hayley Barker
    Last Winter Rose, 2024
    oil on linen
    114.5 x 84 cm (framed)
    45 1/8 x 33 1/8 in
  • Peter Liversidge, Little by Little, 2010
    Peter Liversidge
    Little by Little, 2010
    neon
    59 x 8.5 cm
    overall dimensions vary
  • Mia Kokkoni, Red Sun, 2024
    Mia Kokkoni
    Red Sun, 2024
    acrylic on paper
    (medium tbc)
    61.8 x 49.5 cm (frame)
    24 3/8 x 19 1/2 in
  • Garry Fabian Miller, Sections of England, The Sea Horizon, No. 3 1976-77, 1977
    Garry Fabian Miller
    Sections of England, The Sea Horizon, No. 3 1976-77, 1977
    unique dye destruction print, hand-printed by the artist
    10 x 10 cm (artwork)
    4 x 4 in
    35.9 x 35 cm (frame)
    14 1/8 x 13 3/4 in
  • Charles Avery, Study for Reclining Nude OR Old Man, 2025
    Charles Avery
    Study for Reclining Nude OR Old Man, 2025
    acrylic on paper
    34.3 x 50.1 cm (frame)
    13 1/2 x 19 3/4 in
  • Moyna Flannigan, Twisted Sister, 2012
    Moyna Flannigan
    Twisted Sister, 2012
    Crystacast (edition 1 of 2)
    72 x 42 x 24 cm
    28 3/8 x 16 1/2 x 9 1/2 in
  • David Austen, Walking woman 16.9.19, 2019
    David Austen
    Walking woman 16.9.19, 2019
    watercolour on paper
    32 x 32 x 2.7 cm
    12 5/8 x 12 5/8 x 1 1/8 in (framed)
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