Artworks

  • Charles Avery, Three Sisters 3, 2025
    Charles Avery
    Three Sisters 3, 2025
    acrylic and gouache on linen
    104.5 x 90 cm (canvas)
    41 1/8 x 35 3/8 in
  • Winston Roeth, Twilight, 2025
    Winston Roeth
    Twilight, 2025
    Kremer pigments on mounted panel
    61 x 61 cm (artwork)
    24 x 24 in
  • Craig Murray-Orr, Untitled XXXIII, 2019-2020
    Craig Murray-Orr
    Untitled XXXIII, 2019-2020
    oil on board
    19 x 25.5 cm (frame)
    7 1/2 x 10 in
  • Kevin Harman, Velocimorph Nebulithium, 2024
    Kevin Harman
    Velocimorph Nebulithium, 2024
    household paint, double-glazing unit, steel frame
    60 x 42.5 cm
    23 5/8 x 16 3/4 in
  • Brandon Logan, Volunteer, 2024
    Brandon Logan
    Volunteer, 2024
    acrylic and string
    14 x 10.5 cm
    5 1/2 x 4 1/8 in
  • Ben Cauchi, All will come to nothing, 2015
    Ben Cauchi
    All will come to nothing, 2015
    Ambrotype, 1 of 2 plates made
    25 x 20 cm plate size
    44.8 x 38.8 cm framed
  • Marine Hugonnier, Art For Modern Architecture (Glasgow Herald – Moon Landing – 21/07/69 Glasgow Herald – Moon Departing – 22/07/69), 2018
    Marine Hugonnier
    Art For Modern Architecture (Glasgow Herald – Moon Landing – 21/07/69 Glasgow Herald – Moon Departing – 22/07/69), 2018
    Silk screen paper clips onto vintage newspaper front pages
    73 x 52 cm (framed each)
    28 3/4 x 20 1/2 in (framed each)
  • Hayley Barker, Autumn at Michael's Arts & Crafts, 2024
    Hayley Barker
    Autumn at Michael's Arts & Crafts, 2024
    oil on linen
    261 x 196.8 cm (framed)
    102 3/4 x 77 1/2 in
  • Winston Roeth, Beyond a Doubt, 2017
    Winston Roeth
    Beyond a Doubt, 2017
    Kremer pigments and polyurethane dispersion on 15 pure poplar wood panels.
    51 x 28 cm/ 20 1/8 x 11 1/8 in (each panel)
    158cm x 150cm/ 62 1/4 x 59 1/8 in (overall)
  • JOHN JOSEPH MITCHELL, Birds in Winter, 2022
    JOHN JOSEPH MITCHELL
    Birds in Winter, 2022
    oil pastel and collage on cardboard with artist's frame
    15 x 18.5 cm
    5 ⅞ x 7 ¼ in
  • Catherine Ross, Black Sheep, 2025
    Catherine Ross
    Black Sheep, 2025
    oil and varnish on wood
    20 x 15 cm (frame)
    7 7/8 x 5 7/8 in
  • Charlene Scott, bud 2, 2025
    Charlene Scott
    bud 2, 2025
    botanical pigments on cloth mounted on paper
    36.1 x 46.1 cm (frame)
    14 1/4 x 18 1/8 in
  • Iran do Espírito Santo, Can J, 2011
    Iran do Espírito Santo
    Can J, 2011
    granite
    Edition 2/5
    15.75 x 25.8 x 25.8 cm
    6 1/4 x 10 1/8 x 10 1/8 in
  • Garry Fabian Miller, Coloured Seed 8, 2021
    Garry Fabian Miller
    Coloured Seed 8, 2021
    light, water, Lambda c-type print from unique dye destruction print
    Edition 1 of 3 with 2 APs
    126.9 x 96.4 x 6.7 cm
    50 x 38 x 2 5/8 in (framed)
  • Moyna Flannigan, Cosmic Traces 11, 2024
    Moyna Flannigan
    Cosmic Traces 11, 2024
    ink and gouache on Japanese paper
    59 x 45.5 cm (framed)
    23 1/4 x 17 7/8 in
  • Joel Tomlin, Deco Fig, 2024
    Joel Tomlin
    Deco Fig, 2024
    wood, tempera and beeswax
    30 x 22 x 22 cm
    11 3/4 x 8 5/8 x 8 5/8 in
  • Jonathan Owen, Eraser Drawing (Tennessee), 2018
    Jonathan Owen
    Eraser Drawing (Tennessee), 2018
    partially erased book page
    31.6 x 50 cm
    12 1/2 x 19 3/4 in
    (page)

    40.5 x 49 cm
    16 x 19 1/4 in
    (framed)
  • Brandon Logan, High Sun, 2025
    Brandon Logan
    High Sun, 2025
    acrylic and string
    13 x 7 cm
    5 1/8 x 2 3/4 in
  • Lotte Gertz, Holder of radiant flesh , 2016-2022
    Lotte Gertz
    Holder of radiant flesh , 2016-2022
    colour relief print and gouache on Japanese Shiohara paper
    67 x 50 cm
    26 3/8 x 19 3/4 in (unframed)
  • Richard Forster, Incoming seas' edge on three consecutive occasions at random time intervals, Saltburn Jan 3, 2016, 11:18 - 11:20am, 2016-17
    Richard Forster
    Incoming seas' edge on three consecutive occasions at random time intervals, Saltburn Jan 3, 2016, 11:18 - 11:20am, 2016-17
    Graphite and acrylic medium on Fabriano Artistico paper
    Three parts
    45.5 x 30.3 cm page size (each part)
    17 7/8 x 11 7/8 in page size (each part)
  • David Batchelor, Inter - Concreto (IC02 ), 2019
    David Batchelor
    Inter - Concreto (IC02 ), 2019
    plexiglas offcuts and concrete
    height c. 80 cm
    heightc. 31 1/2 in
  • Nick Goss, Isola Maltese, 2025
    Nick Goss
    Isola Maltese, 2025
    distemper on paper
    36.5 x 71 cm (frame)
    14 3/8 x 28 in
  • Mia Kokkoni, Last Light, 2025
    Mia Kokkoni
    Last Light, 2025
    oil on canvas mounted on board in artist's frame
    66 x 82.8 cm (frame)
    26 x 32 5/8 in
  • Jessica Harrison, Lisa HN4525, 2015
    Jessica Harrison
    Lisa HN4525, 2015
    hand built coloured bone china
    22 x 14.5 x 15.5 cm
    8 5/8 x 5 3/4 x 6 1/8 in
  • David Austen, Little La Luna, 2023
    David Austen
    Little La Luna, 2023
    oil on flax linen
    45.7 x 40.6 cm
    18 x 16 in
  • Andrew Miller, Margaret, 2021
    Andrew Miller
    Margaret, 2021
    found clothes horse, electrical tape and a brass peg
    120 x 100 cm
    47 1/4 x 39 3/8 in
  • Jonny Lyons, Miraculous Accumulator, 2013
    Jonny Lyons
    Miraculous Accumulator, 2013
    Two Giclée prints on Hahnemühle 308gsm Photo Rag Acid-free Archival paper, with sculpture in pine, oak, walnut, maple ply, steel
    Giclée Prints: 74 x 100 cm print size / 77.5 x 103.5 cm framed each part
  • Ellen Siebers, Pear Tree, 2025
    Ellen Siebers
    Pear Tree, 2025
    oil on birch panel
    22.3 x 17.2 cm (frame)
    8 3/4 x 6 3/4 in
  • Frank Walter, Red and Green Trees with Fence
    Frank Walter
    Red and Green Trees with Fence
    Oil on photographic paper
    12.9 x 20.4 cm
    5 1/8 x 8 1/8 in (page size)
  • Callum Innes, Sapphire Blue / Opera Rose, 2022
    Callum Innes
    Sapphire Blue / Opera Rose, 2022
    watercolour on Arches 640gsm HP
    63.9 x 82.3 cm (frame)
    25 1/8 x 32 3/8 in
  • Oana Stanciu, Scarecrow, 2016
    Oana Stanciu
    Scarecrow, 2016
    giclée print
    edition 2 of 10
    85 x 57 cm
    33 1/2 x 22 1/2 in (framed)
  • Ian Hamilton Finlay, Sea Poppy 1, 1966
    Ian Hamilton Finlay
    Sea Poppy 1, 1966
    silkscreen, with Alastair Cant
    printed by Tarasque Press
    62.7 x 49.6 cm (framed)
    24 3/4 x 19 1/2 in
  • Peter Liversidge, Sign Paintings for the NHS, 2020
    Peter Liversidge
    Sign Paintings for the NHS, 2020
  • Aubrey Levinthal, Sink Stomach, 2025
    Aubrey Levinthal
    Sink Stomach, 2025
    oil on panel
    103.9 x 78.4 cm (frame)
    40 7/8 x 30 7/8 in
  • Caroline Walker, Study for Mini Professors, 2023
    Caroline Walker
    Study for Mini Professors, 2023
    oil on paper
    61.5 x 48.5 cm (framed)
    24 1/4 x 19 1/8 in
  • Charles Avery, The One True Temple of the Three-headed Snakes OR The City and the City and the City, 2025
    Charles Avery
    The One True Temple of the Three-headed Snakes OR The City and the City and the City, 2025
    acrylic and pencil on paper
    85.8 x 74.7 cm (frame)
    33 3/4 x 29 3/8 in
  • Kevin Harman, Untitled, 2023
    Kevin Harman
    Untitled, 2023
    household paint, double-glazing unit, and steel frame
    51 x 36 cm
    20 1/8 x 14 1/8 in
  • Craig Murray-Orr, Untitled XXX, 2020
    Craig Murray-Orr
    Untitled XXX, 2020
    oil on board
    18.8 x 25.2 cm (frame)
    7 3/8 x 9 7/8 in
  • Katie Paterson, Water drop, 2022
    Katie Paterson
    Water drop, 2022
    hand-touched silver gelatin print
    edition 5 of 10
    100.2 x 134.4 x 4.5 cm (frame)
    39 1/2 x 52 7/8 x 1 3/4 in
    edition of 10 with 2 artist proofs
  • Lorna Robertson, Where the edges meet, 2023
    Lorna Robertson
    Where the edges meet, 2023
    oil on paper
    148.5 x 110.5 cm (framed)
    58 1/2 x 43 1/2 in
  • Andrew Cranston, Who owns this landscape? (What has owning to do with love?), 2025
    Andrew Cranston
    Who owns this landscape? (What has owning to do with love?), 2025
    oil and varnish on hardback book cover
    20.5 x 12.7 cm (frame)
    8 1/8 x 5 in
  • Joel Tomlin, Amphora, 2023
    Joel Tomlin
    Amphora, 2023
    Found wood, tempera and beeswax
    54 x 13 x 23 cm (left)
    21 1/4 x 5 1/8 x 9 in
    60 x 15 x 20 cm (right)
    23 5/8 x 5 7/8 x 7 7/8 in
  • Andrew Cranston, And in the end, 2024
    Andrew Cranston
    And in the end, 2024
    ink on paper
    32.4 x 36.2 cm (frame)
    12 3/4 x 14 1/4 in
  • Marine Hugonnier, Art For Modern Architecture
: Granma – Fidel Castro’s Mourning. November 26,27,28,29,30 and December 1,2,3,4, 2016, 2018
    Marine Hugonnier
    Art For Modern Architecture
: Granma – Fidel Castro’s Mourning. November 26,27,28,29,30 and December 1,2,3,4, 2016, 2018
    coloured vinyl onto vintage newspaper
    (nine-part work)
    47 x 38.5 x 4 cm (each framed)
    18 1/2 x 15 1/8 x 1 5/8 in (each framed)
  • Hayley Barker, Autumn Equinox Moon, 2024
    Hayley Barker
    Autumn Equinox Moon, 2024
    oil on linen
    135.4 cm (framed)
    53 1/4 in
  • Oana Stanciu, Buffalo, 2016
    Oana Stanciu
    Buffalo, 2016
    giclée print
    edition 2 of 10
    85 x 57 cm
    33 1/2 x 22 1/2 in (framed)
  • Lotte Gertz, Digger of holes , 2016
    Lotte Gertz
    Digger of holes , 2016
    2 colour woodcut print, watercolour and gouache on Japanese paper (2 parts)
    120 x 90 cm
    47 1/4 x 35 3/8 in (2 parts)
  • Garry Fabian Miller, Equos E, 2006
    Garry Fabian Miller
    Equos E, 2006
    unique light, water dye destruction print
    45.7 x 55.9 cm (frame)
    18 x 22 in
  • Jonathan Owen, Eraser Drawing (Artists and Models), 2017
    Jonathan Owen
    Eraser Drawing (Artists and Models), 2017
    partially erased book page
    31 x 25 cm
    12 1/4 x 9 7/8 in (page)

    39.3 x 33.3 cm
    15 1/2 x 13 1/8 in
    (framed)
  • Callum Innes, Exposed Watercolour No. 8, 2025
    Callum Innes
    Exposed Watercolour No. 8, 2025
    watercolour on Arches 640gsm HP
    76.5 x 57.5 cm (artwork)
    30 1/8 x 22 5/8 in
  • Craig Murray-Orr, Face 05, 1984
    Craig Murray-Orr
    Face 05, 1984
    Wood, paint
    30.5 x 28.7 cm
    12 1/8 x 11 1/4 in
  • David Austen, Fires, 2022
    David Austen
    Fires, 2022
    oil on flax linen
    45.7 x 40.6 cm
    18 x 16 in
  • Charlene Scott, fragment 007, 2025
    Charlene Scott
    fragment 007, 2025
    dye bath on embossed paper
    32.9 x 25.9 cm (frame)
    13 x 10 1/4 in
  • Richard Forster, Levittown December, 2015
    Richard Forster
    Levittown December, 2015
    Watercolour, graphite and acrylic medium on Fabriano Artistico paper
    nine parts
    24.9 x 33.4 x 3.8 cm framed size (each part)
    9 3/4 x 13 1/8 x 1 1/2 in framed size (each part)
  • Catherine Ross, Mitts, 2022
    Catherine Ross
    Mitts, 2022
    acrylic, wax, oil pastel and ink on paper
    20 x 28 cm (framed)
    7 7/8 x 11 in
  • David Batchelor, Neo-Neo Concreto 26, 2019
    David Batchelor
    Neo-Neo Concreto 26, 2019
    Acrylic and concrete
    40 x 20 x 5 cm
    15 3/4 x 7 7/8 x 2 in
  • Brandon Logan, Odd Behaviour, 2024
    Brandon Logan
    Odd Behaviour, 2024
    acrylic and string
    14 x 10.5 cm
    5 1/2 x 4 1/8 in
  • Moyna Flannigan, Past/Present, 2021
    Moyna Flannigan
    Past/Present, 2021
    distemper on canvas
    157 x 212 cm
    61 3/4 x 83 1/2 in
  • Ellen Siebers, Relight, 2025
    Ellen Siebers
    Relight, 2025
    oil on birch panel
    22.3 x 22.3 cm (frame)
    8 3/4 x 8 3/4 in
  • Kevin Harman, Rubber Tectonic, 2023
    Kevin Harman
    Rubber Tectonic, 2023
    Household paint, double-glazing unit, steel frame
    51 x 36 cm
    20 1/8 x 14 1/8 in
  • Ian Hamilton Finlay, Sea Poppy 2, 1968
    Ian Hamilton Finlay
    Sea Poppy 2, 1968
    silkscreen,
    edition of 250
    56 x 43 cm
  • Peter Liversidge, Sign Paintings for The Mac, Belfast, 2020
    Peter Liversidge
    Sign Paintings for The Mac, Belfast, 2020
  • Caroline Walker, Six Weeks Old, 2023
    Caroline Walker
    Six Weeks Old, 2023
    ink on paper
    53.7 x 43.7 cm (framed)
    21 1/8 x 17 1/4 in
  • Aubrey Levinthal, Studio Desk (for Winifred), 2025
    Aubrey Levinthal
    Studio Desk (for Winifred), 2025
    oil on panel
    77.7 x 63.1 cm (frame)
    30 5/8 x 24 7/8 in
  • Charles Avery, Study for Spaceman, 2025
    Charles Avery
    Study for Spaceman, 2025
    acrylic, gouache, and pencil on paper
    80.1 x 70.5 cm (frame)
    31 1/2 x 27 3/4 in
  • Andrew Miller, Terrace & Terrace and Refraction, 2014 / 2018
    Andrew Miller
    Terrace & Terrace and Refraction, 2014 / 2018
    Douglas Fir timber and powder coated steel frames
  • Lorna Robertson, The dangling conversation, 2016
    Lorna Robertson
    The dangling conversation, 2016
    oil on paper
    81.8 x 126.8 cm
    32 1/4 x 49 7/8 in
    (unframed)
  • Katie Paterson, The Moment, 2022
    Katie Paterson
    The Moment, 2022
    hand-blown glass with pre-solar material to measure 15 minutes
    7 of 10
    31 x 7.5 x 7.5 cm
    12 1/4 x 3 x 3 in
    series of 10 plus 5 artist proofs
  • John Joseph Mitchell, Untitled, 2023
    John Joseph Mitchell
    Untitled, 2023
    monotype with relief ink mounted on Rives BFK
    22.8 x 30.5 cm (framed)
    9 x 12 in
  • Frank Walter, Untitled (Mango)
    Frank Walter
    Untitled (Mango)
    oil on biocomposite material with masonite backing
    21.1 x 21.1 cm (frame)
    8 1/4 x 8 1/4 in
  • Oana Stanciu, !EU (!ME) 8, 2013
    Oana Stanciu
    !EU (!ME) 8, 2013
    giclée print
    edition 2 of 10
    85 x 57 cm
    33 1/2 x 22 1/2 in (framed)
  • Mia Kokkoni, Blue Night Horse, 2025
    Mia Kokkoni
    Blue Night Horse, 2025
    oil on canvas mounted on board in artist's frame
    52.4 x 43 cm (frame)
    20 5/8 x 16 7/8 in
  • Hayley Barker, Cherry Blossom Branches, 2024
    Hayley Barker
    Cherry Blossom Branches, 2024
    oil on linen
    64.8 x 219.2 cm (framed)
    25 1/2 x 86 1/4 in
  • Aubrey Levinthal, Couch with Man, 2025
    Aubrey Levinthal
    Couch with Man, 2025
    oil on panel
    63.3 x 78.3 cm (frame)
    24 7/8 x 30 7/8 in
  • Lotte Gertz, Digger of holes (white) , 2016
    Lotte Gertz
    Digger of holes (white) , 2016
    2 colour woodcut print, watercolour and gouache on Japanese paper
    120 x 90 cm
    47 1/4 x 35 3/8 in (2 parts) (unframed)
  • Garry Fabian Miller, Equos No. 25, July, 2006
    Garry Fabian Miller
    Equos No. 25, July, 2006
    unique light, water dye destruction print
    45.7 x 55.9 cm (frame)
    18 x 22 in
  • Jonathan Owen, Eraser Drawing (American Comedy), 2018
    Jonathan Owen
    Eraser Drawing (American Comedy), 2018
    partially erased book page
    31 x 25 cm
    12 1/4 x 9 7/8 in
    (page)

    39.8 x 33.8 cm
    15 5/8 x 13 1/4 in
    (framed)
  • Craig Murray-Orr, Face 06, 1984
    Craig Murray-Orr
    Face 06, 1984
    Wood, paint
    39 x 37.6 cm
    15 3/8 x 14 3/4 in
  • Charlene Scott, fragment 017, 2025
    Charlene Scott
    fragment 017, 2025
    dye bath on embossed paper
    32.9 x 25.9 cm (frame)
    13 x 10 1/4 in
  • Lorna Robertson, How much longer?, 2025
    Lorna Robertson
    How much longer?, 2025
    oil on paper with collage
    30 x 25 cm (frame)
    11 3/4 x 9 7/8 in
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