INSTALMENTS | Johanna Unzueta | What your eyes cannot reach, My hand will bring to you

19 October - 19 December 2024
  • INSTALMENTS | JOHANNA UNZUETA

    What your eyes cannot reach
    My hand will bring to you

  • INSTALMENTS is a series of focussed presentations that take place in the 'Feast Room', on the first floor of the Glasite Meeting House, the building which houses our gallery in Edinburgh. The tenth artist in this series is Johanna Unzueta.
  • In the usual way of things art objects tend to exist in either two or three dimensions: drawings and paintings...
    Please click the image above to watch a new film made with Johanna Unzueta.

    In the usual way of things art objects tend to exist in either two or three dimensions: drawings and paintings flat on a wall, or sculptures in the round. Johanna Unzueta’s work doesn’t play by these rules, her work slips between two and three dimensions and nods to a fourth - inviting another way of seeing that takes the viewer to a transcendental territory beyond the object itself. Her work is of this world, environmentally orientated and often originating as a found object and tinted with pigments from plants or vegetables – rooted in the real in other words – yet it has a kind of reflective interiority that invites us to travel to a place governed by dreams as much as logic.  It is a journey guided by the physicality and precision of Unzueta’s craft - by her delight in intricately worked and woven surfaces which both honour the labour of their making and acknowledge the potential impermanence of an object in materials that are vulnerable to change. At the heart of her way of working is a playful and unashamed delight in the potential of making a beautiful thing which belongs in the present but connects deeply to the past.

     

    Born in Chile in 1974, Unzueta arrived in New York in 2000 and for the last four years she has been based in Berlin. Her work is in many institutional collections worldwide including the Whitney Museum of American Art, New York and Tate, London. Two major presentations of her work in the UK, a solo exhibition ‘Tools for Life’ at Modern Art Oxford and a substantial installation at Edinburgh’s Talbot Rice Gallery were thwarted by covid induced closures in 2020, so it is with huge pleasure that we are bringing her work back to the UK for this, our latest instalment.

  • 'My work with pigments and tints began very early in my life, as a way of playing and passing the...
    Johanna Unzueta
    June, August Chiusure 2024 (II), 2024
    paper tinted with pigment from wild berries, rosemary, indigo, artichoke, and Siena; pastel pencil, oil sticks, cut paper, and needlepoint
    41 x 41 cm (framed)
    16 1/8 x 16 1/8 in
    GBP £8,500

    "My work with pigments and tints began very early in my life, as a way of playing and passing the time when I was little. Collecting plants, flowers, and berries to extract their color, or pressing them onto fabric or paper in order to classify them."

    - Johanna Unzueta

  • 'Drawing changed my life: the way I see, the way I speak. I don’t measure or make sketches, it’s an...
    Johanna Unzueta
    June, July Chiusure 2024, 2024
    Paper tinted with pigment from anil indigo and rosemary, pastel pencil, oil sticks, gold watercolour pencil, cut paper and needlepoint
    41 x 41 cm (framed)
    16 1/8 x 16 1/8 in

    "Drawing changed my life: the way I see, the way I speak. I don’t measure or make sketches, it’s an intuitive process—the color of the paper and how the shapes, which are based on embroidery hoops, will emerge. The final images are composites of shapes and forms natural and imagined, everything that overlaps inside of me."

    -JU

  • Johanna Unzueta
    June, August Chiusure 2024 (I), 2024
    Paper tinted with pigment from Siena, anil indigo, artichoke and rosemary, pastel pencil, oil sticks, gold watercolour pencil, cut paper and needlepoint
    41 x 41 cm (framed)
    16 1/8 x 16 1/8 in
  • 'I’ve always had an attraction to and interest in collecting old industrial objects, generally made from wood; tools, or simply...
    Johanna Unzueta
    I rise in your presence like the sun at dawn, 2024
    wood, oil pastel, indigo tinted, hemp yarn, and antique nails
    131 x 8 x 4 cm
    51 5/8 x 3 1/8 x 1 5/8 in

    "I’ve always had an attraction to and interest in collecting old industrial objects, generally made from wood; tools, or simply pieces that were formerly part of larger machines, such as an industrial loom. Most of the time I acquire these objects without knowing their exact function, or even if I’ll ever use them for my work. But the mere fact of having and being able to observe them makes me travel back in time and appreciate their essence, and consider what their existence in this world must’ve been like."
    - JU

  • Johanna Unzueta
    You can still see me at the dome, 2024
    wood, oil pastel, indigo tinted, hemp yarn, and antique nails
    131 x 18 x 9 cm
    51 5/8 x 7 1/8 x 3 1/2 in
    GBP £12,500 (+ 5% UK import tax if applicable)
  • "The question of how things are made and where they come from is important. My mother taught me to sew and to make my own clothes using organic dyes—a process that encouraged me to experiment. I’ve been lucky to work with a group of Mapuche women in the south of Chile and in Guatemala with people who have knowledge about natural pigments."

     - JU., Artforum, 2020.

  • Installation view of work by Johanna Unzueta, The Feast Room, Ingleby, Edinburgh, June 2024. Photograph: John McKenzie.
    Installation view of work by Johanna Unzueta, The Feast Room, Ingleby, Edinburgh, June 2024. Photograph: John McKenzie.
  • With thanks for Stefan Benchoam and everyone at Proyectos Ultravioleta for their collaboration on this project.