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INGLEBY | TOKYO GENDAI 2025
Booth A06Andrew Cranston | James Hugonin | Aubrey Levinthal | Peter Liversidge | Brandon Logan | Garry Fabian Miller
Craig Murray-Orr | John Joseph Mitchell | Katie Paterson | Ellen Siebers | Joel Tomlin | Caroline Walker | Frank Walter -
John Joseph MitchellReader in a Rocking Chair, 2025oil on panel in artist's frame21.3 x 27.8 cm (frame)
8 3/8 x 11 in -
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John Joseph MitchellRain at the Head of the River, 2025oil on panel in artist's frame24.5 x 34.7 cm (frame)
9 5/8 x 13 5/8 in -
John Joseph MitchellWhite Peonies, 2025oil on panel in artist's frame16.9 x 24.5 cm (frame)
6 5/8 x 9 5/8 in -
John Joseph MitchellBackyard in Summer, 2025oil on linen mounted on panel in artist's frame17.3 x 26.1 cm (frame)
6 3/4 x 10 1/4 in -
John Joseph MitchellTwo Snowy Egrets, 2025oil on panel in artist's frame31.5 x 16.9 cm (frame)
12 3/8 x 6 5/8 in
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Andrew CranstonMount Fuji (backdrop for a puppet show), 2024acrylic on canvas169 x 403.8 (frame)
66 1/2 x 159 in -
Andrew CranstonIn the mean time, 2025acrylic on canvas70.2 x 50.1 cm (artwork)
27 5/8 x 19 3/4 in -
Aubrey LevinthalGeranium on Palette Table, 2025oil on panel37.5 x 37.5 cm (frame)
14 3/4 x 14 3/4 in -
Caroline WalkerChangeover Day, Bedding, 2025oil on board45 x 38 cm (frame)
17 3/4 x 15 in -
Caroline WalkerChangeover Day, Bins, 2025oil on board57 x 47 cm (frame)
22 1/2 x 18 1/2 in -
Craig Murray-OrrUntitled XVIII, 2014-2015oil on board13.8 x 20.3 cm (artwork)
5 3/8 x 8 in
19 x 25.5 cm (frame)
7 1/2 x 10 in -
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Craig Murray-OrrUntitled XXXIII, 2019-2020oil on board13.8 x 20.3 cm (artwork)
5 3/8 x 8 in
19 x 25.5 cm (frame)
7 1/2 x 10 in -
Craig Murray-OrrUntitled XXX, 2020oil on board13.8 x 20.3 cm (artwork)
5 3/8 x 8 in
18.8 x 25.2 cm (frame)
7 3/8 x 9 7/8 in -
Craig Murray-OrrUntitled XXVI, 2018-2020oil on board13.8 x 20.3 cm (artwork)
5 3/8 x 8 in
18.5 x 25 cm (frame)
7 1/4 x 9 7/8 in
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Garry Fabian MillerSections of England, The Sea Horizon, No. 16 1976-77, 1977unique dye destruction print, hand-printed by the artist10 x 10 cm (artwork)
4 x 4 in
35.9 x 35 cm (frame)
14 1/8 x 13 3/4 in -
Garry Fabian MillerSections of England, The Sea Horizon, No. 3 1976-77, 1977unique dye destruction print, hand-printed by the artist10 x 10 cm (artwork)
4 x 4 in
35.9 x 35 cm (frame)
14 1/8 x 13 3/4 in -
Garry Fabian MillerSections of England, The Sea Horizon, No. 40 1976-77, 1977unique dye destruction print, hand-printed by the artist10 x 10 cm (artwork)
4 x 4 in
35.9 x 35 cm (frame)
14 1/8 x 13 3/4 in -
Garry Fabian MillerSections of England, The Sea Horizon, No. 23 1976-77, 1977unique dye destruction print, hand-printed by the artist10 x 10 cm (artwork)
4 x 4 in
35.9 x 35 cm (frame)
14 1/8 x 13 3/4 in
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Katie PatersonThere is another sky, 2025collidon wet plates in two (2) parts20.4 x 25.6 cm (each frame)
8 x 10 1/8 in -
There is another sky
もう一つの空がある
There is Another Sky consists of two glass plates, each depicting a distinct moment in the cosmic timeline. The first (on the left) illustrates the night sky over 3.5 billion years ago, before Earth existed, while the second (on the right) imagines the view from Earth’s perspective, billions of years into the future, after our planet has long since vanished. Both perspectives are framed as if observed from the surface of Earth, gazing out into the infinite reaches of space. This vision of the cosmos is an abstraction, presented from the hypothetical viewpoint of Earth itself.
In the first image, the sky is alive with a vibrant, fiery storm of star formation. Bright hydrogen clouds give birth to countless new stars, and young star clusters dot the cosmic landscape, billions of years ago. The second plate offers a vision of the distant future, billions of years from now, where Earth has long since ceased to exist. The perspective is again from Earth, but in this imagined future, Earth is absent —erased by the passage of time. Instead, we observe the inevitable collision between the Milky Way and the Andromeda galaxy, a cataclysmic event that will unfold over the next several billion years. The galaxies will merge, forming a single elliptical galaxy, with its brilliant core dominating the nighttime sky. With the end of star formation, the nebulae will vanish, and the aging stars will scatter across the ellipsoidal galaxy.
Both images are created using the wet plate collodion technique, an antique photographic process that merges historical methods with contemporary explorations of time, space, and human existence.
『もう一つの空がある』は、宇宙の時間軸における異なる2つの瞬間を描いたガラス板2枚で構成されます。1枚目(左の板)は約35億年以上前、地球が存在する前の夜空を描き、2枚目(右の板)は数十億年後、地球がとうに消滅した後の未来を想像したものです。どちらも、あたかも地球の表面から宇宙を見上げているかのような視点で構成され、地球そのものの仮想的な視座から宇宙をとらえています。
1枚目には、星形成の激しい嵐が燃え盛る夜空が広がります。明るい水素雲が無数の新しい星を生み出し、若い星団が宇宙の景色に点在する、そんな数十億年前の光景です。2枚目は、地球が存在しなくなった遠い未来のビジョンです。視点は同じく地球からですが、この未来の地球はすでに時の流れによって消え去っています。その代わりに私たちが目にするのは、天の川銀河とアンドロメダ銀河の衝突で、これから数十億年かけて起こる壮大な天体現象です。2つの銀河はやがて融合し、輝く中心核をもつ1つの楕円銀河となり、夜空を支配します。星形成が終わると星雲は消え、老いた星々が楕円銀河全体に散らばります。
これらのイメージは、歴史的な手法と現代的な時間・空間・人間の存在の探求を融合させる古典写真技法「湿板コロジオン法」によって制作されています。
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Spectre
スペクター
A window pane made from the sands of every desert on Earth.
The viewer is invited to gaze through a single panel of glass fused from the sands of all the world’s deserts—mountainous, subtropical, coastal, rain-shadow, volcanic, polar, and even fossilised deserts dating back millions of years. Its colour is a pale blue-aquamarine, with delicate bubbling, appearing almost there and not there at the same time—hovering between presence and absence.地球上のあらゆる砂漠の砂から作られた窓ガラス。
鑑賞者は、山岳、亜熱帯、海岸、雨陰、火山、極地、さらには数百万年前の化石化した砂漠など、世界中のあらゆる砂漠の砂から 作られた一枚のガラス板を通して眺めることができます。その色は淡い青みがかったアクアマリンで、繊細な泡立ちがあり、まる でそこにありながら同時にそこにいないかのようで、存在と不在の間を漂っています。
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Katie PatersonArbor, 2025kiln dried leaf coated with the ashes of 10,000 trees in nine (9) parts6.5 x 3.2 cm (each artwork)
2 1/2 x 1 1/4 in
17.8 x 13.8 cm (each frame)
7 x 5 3/8 inseries of 100, each unique -
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Katie PatersonSilva, 2024kiln dried wood branches gilded with the ashes of 10,000 trees38.5 x 10.5 x 7.7 cm (artwork)
15 1/8 x 4 1/8 x 3 in
10 x 50 x 16.5 cm (shelf)
4 x 19 3/4 x 6 1/2 inseries of 10, each unique -
Katie PatersonSilva, 2024kiln dried wood branches gilded with the ashes of 10,000 trees42 x 13 x 12 cm (artwork)
16 1/2 x 5 1/8 x 4 3/4 in
10 x 50 x 16.5 cm (shelf)
4 x 19 3/4 x 6 1/2 inseries of 10, each unique
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Silva
シルヴァ
A single branch is meticulously crafted from the ashes of over 10,000 unique tree species.
Silva represents forests from every corner of the Earth—ranging from ancient woodlands to fragile ecosystems, tropical rainforests to arctic taigas. The artwork encapsulates the immensity of nature in one form, a single branch. It embodies both loss and resilience in its delicate form, capturing the fragile balance between nature's vulnerability and its enduring vitality. The charcoal serves as a distilled memory of the forest, embodying its essence in a concentrated form. The branch, gilded with ash, has been collected by the artist from the first forest on Earth, further deepening the connection to the primordial roots of nature.
1万種を超える異なる樹木の灰から、1本の枝が精緻に制作されています。
『シルヴァ(Silva)』は、古代の森から脆弱な生態系、熱帯雨林から北極のタイガまで、地球上のあらゆる地域の森を表現しています。この作品は、自然の広大さを一本の枝というひとつの形に凝縮しています。その繊細な姿は、喪失と回復力の両方を宿し、自然がもつ脆さと永続する生命力との間の微妙な均衡をとらえています。炭は森の記憶を濃縮したものであり、その本質を内包しています。灰でコーティングされた枝は、地球上の最初の森からアーティスト自身が採取したものであり、自然の根源的な起源とのつながりをさらに深めています。
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Brandon LoganViolet Belt, 2025acrylic and string26 x 20.5 cm
10 1/4 x 8 1/8 in -
Peter LiversidgePair of Winter Drawings 9vs12 and 12vs10, 2023black masking tape and pencil on found book pages in two (2) parts11.2 x 7.6 cm (each artwork)
4 3/8 x 3 in
33.9 x 27.7 cm (each frame)
13 3/8 x 10 7/8 in -
Peter LiversidgeUntitled (stone 1), 2022part 1: found Old Grey Red Sandstone (Aberdeenshire)
part 2: cast recycled aluminium, acrylic paint, watercolour, matting agent, acrylic matt varnish, dust, spider's webs
parts presented on painted shelf6.7 x 8.5 x 6.5 cm (part 1)
2 5/8 x 3 3/8 x 2 1/2 in
6.5 x 8.2 x 6.5 cm (part 2)
2 1/2 x 3 1/4 x 2 1/2 in -
Biographies
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For pricing and further information please contact us at info@inglebygallery.com
or telephone +44 (0) 131 556 4441
For further fair or visitor information, please visit the Tokyo Gendai website.
Ingleby | Tokyo Gendai 2025: Booth A06
Current viewing_room