This exhibition juxtaposed Ellsworth Kelly's most recent suite of lithographs [published in 2001 by Gemini G.E.L] and currency forms from West Africa dating from the 18th and 19th centuries, their authors unknown.
Though ostensibly pure abstractions, all Kelly's works have a basis in reality, stemming from his unique observations of the material world we each inhabit; he notes the shape of a shadow in a doorway, or beneath an open trap door, or the curve of a snowy hill and these simple forms find their way into his works.
The metal African currency forms - once objects with a real symbolic, ritual purpose but reinterpreted in present times as sculptural objects - echoed the lines and forms of Kelly's prints beautifully.
![Red 2001 colour lithograph, edition of 45 [published by Gemini Gel] 128.5 x 101.5cm [framed]](https://artlogic-res.cloudinary.com/w_800,h_800,c_limit,f_auto,fl_lossy,q_auto/ws-inglebygallery/usr/exhibitions/images/558/1107871895_kelly_red_2001.jpg)