06 10 2016
Callum Innes – De Pont Museum, Netherlands
I’ll Close My Eyes
De Pont Museum, Tillburg, Netherlands
15 October 2016 – 26 February 2017
This comprehensive survey exhibition of the work of Callum Innes explores the breadth and scope of the practice of one of today’s foremost abstract painters.
Innes is best recognised for his distinctive processes of ‘unpainting’ in which meticulously applied layers of colour are systematically dissolved from the surface of the canvas or paper.
Examples of the artist’s most celebrated bodies of work will be presented alongside significant new paintings realised for this exhibition.
For further information visit the De Pont Museum website here: www.depont.nl
06 09 2016
Katie Paterson – CantrePasquArt
Kunsthaus Centre d’art, Biel/Bienne
11 September 2016 – 20 November 2016
Katie Paterson’s largest solo exhibition to date, her presentation at CentrePasquArt, will include the major works of her career, as well as several new pieces made in 2016. At the heart of her practice is the examination of the relationship of human beings to the universe in terms of both time and space. Focusing on the themes of ecology, geology and cosmology, underpinned by collaborations with leading scientists as well as writers, astronomers, nanotechnologists and musicians, Paterson employs a conceptual approach to the poetic treatment of existential ideas.
For more details of the exhibition and related talks visit the CentrePasquArt website at the following link: http://bit.ly/2cDQKl1
08 08 2016
Jonathan Owen – Book Signing
Book signing with artist Jonathan Owen
Saturday 13 August, 4 – 5pm
Ingleby, 6 Carlton Terrace, EH7 5DD
Free, no booking required.
Ingleby has published a new monograph to coincide with Jonathan Owen’s presentation for the Edinburgh Art Festival and his spectacular sculptural commission – one of seven new works commissioned by EAF as part of this year’s commissions programme, entitled More Lasting Than Bronze – sited within the Burns Monument on Regent Road.
This lavishly illustrated hardback book focusses on Owen’s recent practice and features texts by Maria Fusco,currently Reader at University of Edinburgh, and Sorcha Carey, Director of the Edinburgh Art Festival. Join us to celebrate the launch of the book with a special book-signing event on Saturday, 13 August, 4 – 5pm. The book is priced at £20.00
For more on Jonathan Owen in the Edinburgh Art Festival click here.
Can’t make the event? Purchase the book online, mail-order, at the link here.
22 07 2016
Little Sparta – Bus Trips, 2016
Little Sparta – the celebrated garden of Ian Hamilton Finlay – is located 25 miles from the centre of Edinburgh in a rural setting in the Pentland Hills.
A minibus service running to Little Sparta every Friday at 1.30 pm in the month of August during the period of the Edinburgh Art Festival. Please note: this service no longer leaves from Ingleby, but will leave from outside the Scottish Poetry Library, 5 Crichton’s Close, Canongate.
Friday 5 August
Friday 12 August
Friday 19 August
Friday 26 August
Tickets are priced £25 per person and the charge includes return transport from central Edinburgh and admission to the garden.
To book tickets and for more details on accessibility and facilities, please click here
22 06 2016
Andrew Miller – Yinchuan Biennale
For an Image, Faster Than Light
9 September – 18 December, 2016
Museum of Contemporary Art Yinchuan
The Museum of Contemporary Art Yinchuan, located within a large organic plantation along the Yellow River, is the first contemporary art museum in northwest China and will host its first biennale in September 2016. Curated by artist, curator and co-founder of Kochi-Muziris Biennale, Bose Krishnamachari, participating artists include Anish Kapoor, Ai Weiwei, Abigail Reynolds, Andrew Miller, Basel Abbas and Ruanne Abou-Rahme.
The biennale will also see a host of cultural activities like music programmes and seminars on the various aspects of the concept note. Some of the participating artists will be conducting workshops for children. Director Madam Liu says, “the first Yinchuan Biennale will be an excellent platform to showcase the best of contemporary global art.”
For more information click on the link here: www.moca-yinchuan.com
The solo exhibition The Good, The Bad and The Ugly: New Works by Andrew Miller runs at the National Glass Centre, Sunderland until 9 October 2016.
30 04 2016
Alec Finlay – Jupiter Artland
A VARIETY OF CULTURES
A new permanent commission for Jupiter Artland
A VARIETY OF CULTURES was first proposed in 2010 and is now complete: comprising an orchard of native apple varieties, with thirty oak ladders, and a booklet which will be launched in August. The book includes poems and texts by Finlay, an essay by Kathleen Jamie, photography by Robin Gillanders and Hannah Devereux, and drawings by Hanna Tuulikki.
The work will grow: initially, ladders with trees, it will evolve into trees with ladders. The ladders predict the eventual height of the tree canopy and they will allow people to climb among the blossom and fruit.
A blog featuring photographs of the installation will be published in June, and the booklet will be launched at Jupiter Artland on the 12 August 2016. Jupiter Artland reopens for the Summer from Saturday 14 May 2016.
16 04 2016
Sean Scully – Art Museum of Nanjing University of the Arts, China
Resistance and Persistence: Paintings 1967 – 2015, London and New York
8 April – 8 May 2016
The second edition of Scully’s landmark retrospective in China, Resistance and Persistence, is currently presented at AMNUA, Nanjing. Resistance and Persistence is not only of this exhibition but also of Sean Scully’s collection of essays published in 2006, which includes his seminal essays on Giorgio Morandi, Van Gogh and Mark Rothko. This collection of essays also lent its name to recent group exhibition at Ingleby Gallery from November 2015 – January 2016. ‘Resistance and persistence’ is also a summary of the artist’s way of working and his art-spirit. The director of AMNUA Li Xiaoshan commented: ‘Sean Scully’s importance lies not only in his inheritance from the old Modern masters but also in the richness of his own artistic expression. I believe that once again, with his new work coming to China, hosted by our museum, there will be a new surge in debate and discussion, which will contribute towards the richness of our ‘soil’’.
For further details visit the AMNUA website by clicking on the link here: www.nuamuseum.org